Some of the things I am striving for this year, as interpreted by three of my favorite supporting players. I hope you, too, find something in their words.


Barbara Brown Taylor: “Being ordained is not about serving God perfectly, but about serving God visibly, allowing other people to learn whatever they can from watching you rise and fall.”

… And there’s certainly plenty of that… the rising, the falling, the rising, the falling….


Bishop Steven Charleston: “We all bear the soul scars of a wrong done to us… Feel the warm hand of one who was there and loves you all the more for what you have endured.”

… since life doesn’t really get easier….


Howard Thurman (Jesus and the Disinherited) “There is something in every one of you that waits and listens for the sound of the genuine in yourself. It is the only true guide you will ever have. And if you cannot hear it, you will all of your life spend your days on the ends of strings that somebody else pulls.”


Hymn #541, or as I like to call it “The Norwegian National Anthem”

“Come, labor on!
Who dares stand idle, on the harvest plain
While all around him waves the golden grain?
And to each servant does the Master say,
Go work today!”

These themes may be reflected in next Sunday’s sermon which I am attacking with vulnerability, endurance, authenticity, and you know the rest. The lesson is the Wedding at Cana and it is (to use one of Craig Lemming’s favorite words) fabulous (the lesson, not necessarily the sermon but it’s coming along).

See you in church.
Now get back to work…..


By the Rev. Barbara Mraz


The Crash

It was her first solo flight as a 29-year-old student pilot, a prerequisite for getting her license. As she flew the small plane over downtown St Paul, the plane’s engine sputtered and Sheryl Ramstad guided the crippled craft to the ground, being able to steer away from densely populated neighborhoods and freeways. She thought she was going to die but did not want to take others with her. It was 4:00 on a 4th of July weekend; the river was full of boats and the freeway was full of cars. She finally spotted an empty schoolyard that connected to an alley. Coming within ten feet of a woman sunbathing in her back yard, the plane bumped to a hard landing and became engulfed in flames from fuel in the tank, trapping Sheryl inside. “It was an inferno,” she says.

She finally burst through a door, crawled out and, badly burned, collapsed at the front of St Vincent’s Catholic Church. The priest came out and gave her last rites.

She was taken to the hospital with burns on 37 percent of her body. She spent seven weeks in the hospital, underwent multiple surgeries and for two years had to return to the hospital every day for rehabilitative therapy.

Sheryl was a wife, a lawyer, a federal prosecutor, and thought she was nearing the peak of her career. Her doctor considered amputating her right hand which was burned down to the bone but was able to graft skin on to it. Miraculously, it healed.

Reflecting on this experience some thirty years later, she said what saved her life was the split-second decision not to pull back on the controls of the plane—which would have been the natural instinct, to try to get it airborne again. Instead, she set the gears in landing mode, tried to steer the nose of the plane, and was able to get it down.

She has not pulled back on anything since.


Not only did she have extensive burns, Sheryl gained sixty pounds in the first three days in the hospital. Doctors discovered she had a burst intestine, and a very risky surgery followed where she was given a ten percent chance of survival.

From her high-powered job as a lawyer, Sheryl was now dependent on others for the most basic care. She says she was lucky, not only because she eventually did heal, but because of the support she received from her family, friends and hospital staff. The nurses knew she had begun training for a marathon and told her to focus on that goal. Eventually, she ran seven of them. She also names a spiritual element in this experience: “God was my co-pilot.”


Sheryl’s resume is impressive: Assistant Hennepin County Public Defender; Assistant U.S. Attorney; Hennepin County Judge; Minnesota Commissioner for the Department of Corrections in the administration of Governor Jesse Ventura; partner at Rider Bennett Law firm, and now Chief External Relations Officer at Hennepin County Medical Center. She is also the sister of long-time Congressman Jim Ramstad.

However, it is her experience aside from these roles that is equally impressive.

Some thirty years after her accident, Sheryl decided it was a time for a career change. So while working full-time as a judge she began taking prerequisite science courses (one at a time) so she could apply for the University of Minnesota Master in Nursing program. Her experience as a burn patient was still very much on her mind and she wanted to give back, to care for others who had undergone experiences similar to her own.

Eventually she was able to work as a nurse at the same burn center where she had been a patient thirty years earlier, at Regions Hospital. She says, “The most satisfying thing has been caring for burn patients who had burns covering up to 65% of their body, as well as patients whose limbs had been amputated as a result of the burns they had suffered. I understood what the patients and their families were going through on the long road to recovery. I tried to encourage them and provide care for them as had been done for me. Another reward was working side by side with five of the professionals – a surgeon, three nurses and a physical therapist – who had previously cared for me as a patient.”

Eventually, she received her Doctorate in Nursing Practice, Heath Innovation and Leadership from the University and went on to serve on numerous boards and in a variety of programs for burn victims and others who needed help. She is part of the Phoenix Society for Burn Survivors, International, and is president of the University of Minnesota Nursing Alumni Board.


Sheryl’s life has been about far more than her career. She and her first husband adopted three children, now grown. That marriage ended in divorce but she notes that “I’m in a much better place now.” Twelve years ago at St. Mark’s Cathedral she married Lee Larson, an executive with Benedictine Health, an organization that is an innovator in many areas of health care. They have a beautiful home and enjoy gardening, travel, biking, plays and movies. There are grandchildren out of town to visit. Now residents of St Paul, they joined St. John’s two years ago.

When she was Commissioner of Corrections, Sheryl came to admire the Prison Fellowship program for giving hope to the most hardened and hopeless offenders. In a speech she said this: “Many become suspicious of those who come to Jesus while they’re behind bars. Yet, as someone once said, ‘groanings that cannot be articulated are often prayers that cannot be refused.’ It’s Prison Fellowship’s vision that people who are impacted by crime can experience the redemptive grace and peace of Christianity. Prison Fellowship extends a hand of friendship that can serve as a buffer against the many rejections that an ex-offender faces.” As a wounded healer herself, she has offered the hand of friendship and assistance to many people in distress. She observes that everybody has “stuff;” that is, no one seems to get through life pain-free.

I’ve witnessed Sheryl in action: she brought a bouquet of flowers to the 8th floor of the hospital so they would be in my room an hour after my knee surgery; there were delicious meals at the door as soon as I got home; the perfect book offered as a gift; and a thoughtful visit from Sheryl and Lee coming home from the State Fair bringing mini-donuts and Sweet Martha’s chocolate chip cookies. She is the real deal and I am honored to call this outstanding woman my friend. All of us are lucky that Sheryl and Lee have made St. John’s their home.


Originally published in the November-December 2018 Evangelist.



Carrying the Mystery

By Children, Youth, & Family Minister Jean Hansen

As I was listening to the Advent story in Godly Play today, I thought to myself, “this is my favorite Godly Play story!”  I say this about every story, really. I love the process of Godly Play, and what I learn from the children. The children know so much about the mystery; they are so serious and so close to God.

There’s so much to look forward to in the Advent story. There is so much anticipation during this season. Sometimes I run right through Advent without even recognizing it. The children reminded me that I need to be ready for Christmas—not the commercialism of Christmas, but the mystery of Christmas.

At this time of year we also begin preparing for the Christmas pageant. This beautiful retelling of how God came to be human and live among us, is told by our children every year at St. John’s. It’s such an important story, and children are the best ones to tell it. They are adorable, funny, and excited about the whole thing. And they are so ready to enter the mystery. Our children get to carry this important message of hope to all of us again. They get to tell the story of Christ’s birth, of God’s incarnate love. I believe this is something that most of us at St. John’s look forward to. We love to see our children perform in all of their cuteness.

But is “cute” what we’re trying to do? I’m not sure the children want to be thought of as cute. That doesn’t makes much sense for a faith community whose children are participating in one of the most mind-blowing mysteries of the entire Christian tradition. This is serious and important work.

Don’t get me wrong—I think they are cute, too. But the work they are doing is so much more than that. When we think of them as merely cute, we’re limiting them and we’re limiting what they are doing. They are telling one of the most important stories in the New Testament, and all along they are reminding us of how to stop and get ready for the mystery of Christmas.


Originally published in the January-February 2017 Evangelist.

By Richard Gray, Director of Music

One of my favorite times during the Advent season, both as a church musician and as a churchgoer, is the Festival of Nine Lessons and Carols. It is a wonderful way to worship and look ahead to the season of Christmas.

Lessons and Carols began on Christmas Eve in 1918 at King’s College Cambridge for the purpose of providing an additional, unique, and creative worship service. Included are nine readings and each are paired with related congregational hymns and choral anthems.

The Lessons and Carols service at King’s is still broadcast every year on Christmas Eve. Millions watch worldwide to hear the beautiful choir and the elegant sounds of the organ, and to see the beauty of King’s Chapel.

Eric Milner White, Dean of King’s College when Lessons and Carols originated and the person responsible for planning the service, made a point to emphasize that the service focus is not on the music but on the readings, and that the musical selections are simply derived from the readings. I believe that is what makes it such a fantastic experience: to hear a reading and then to hear it again through a musical form.

The readings that you will hear coming from the books of Genesis and Isaiah and the gospels of Matthew, Luke and John, describe events leading up to the birth of Jesus and those that happen just after. After the fifth lesson, for example, which talks about the Angel Gabriel visiting the Blessed Virgin Mary, the choir will sing an anthem called “Gabriel’s Message,” to a tune that will probably be familiar to you!

You can experience Lessons and Carols here at St. John the Evangelist on December 16 at 4pm. All of our choirs will be featured including our adult, youth, children and handbells. The music that you will be hear will range from music of the Anglican tradition by composers such as David Willcocks and John Rutter, American repertoire through music of Morten Lauridsen and Paul Manz, and spirituals by acclaimed conductor and composer André Thomas. Some of your favorite carols will be featured including “Once in Royal David’s City,” sung at the opening of the service by one of our youth choristers, and the beloved “O Come All Ye Faithful.”

The Festival of Nine Lessons and Carols is truly a special event and one that can joyfully prepare us as we await the Christ child. As Episcopalians, we are so blessed to be a part of a beautiful liturgical tradition year-round and special services such as these are ones that beautifully emphasize that. I hope that you will join me in looking forward to this annual event that opens the scriptures to us in a creative and powerful way!


Originally published in the November-December 2018 Evangelist.


Maybe it’s just me, but somehow I’m detecting less energy in the culture for celebrating Christmas this year. Most people I know say they’re forgetting the Christmas cards and dialing back on the entertaining, especially with what can be the daunting world of food allergies and preferences. And not enough time…

My grandsons don’t seem to want much that I can afford except X-box cards (wince). Some friends say they’re buying fewer gifts because people “have everything”. Fewer people are going on cookie-baking marathons because they’re watching calories, or cutting back on the outdoor lights to save energy (unless you live next door to the rector, that is. There are not only Santa and mangers, there are Christmas penguins! It’s something to see….)

And each year as we get older, the holiday “baggage” may increase, with painful memories and more empty seats at the table.

As for me, I take solace in the old Christmas movies from the 1940’s: “White Christmas,” “Holiday Inn,” “Christmas in Connecticut.” In some ways, the present landscape is so depressing – especially politically and with the planet in such peril – that I need to get away for awhile to a different set of problems. World War II and its clear-cut patriotism permeates these films, with soldiers in uniform and beautiful ballads… “I’ll Be Seeing You,” “Let It Snow,” “The Best Things Happen When You’re Dancing…”

Still, we come to church, to hear the stories, to listen to the music, to pray the prayers, to receive the Bread and Wine, to be a part of the community, and to have an hour to be quiet amidst the bustle.

This week, the wild man John the Baptist strides into the picture, the desert ascetic, outrageous, offending the wrong people, proclaiming Jesus as the Messiah and later wondering if he is indeed “the One.” John, who must have been a huge disappointment to his priestly father. John, whose appearance we know more about than anyone else in Scripture. John, whose passion for speaking out cost him…. well, that happens later.

I thought the picture above was good with the hair…

Church is a constant for many of us, a community, a place to ask the Big Questions, a place for the head and the heart.

“Could you not watch with me for one hour?” Jesus asked his sleeping Disciples on Maundy Thursday. Each Sunday morning, maybe he asks the same of us?

See you in church.
It will be about an hour.


By the Rev. Craig Lemming, Associate Rector

The etymology of the word “Liturgy” teaches us that it is the work of all the people in our public worship of Almighty God. On Sunday morning, in our Celebration of Holy Eucharist, it is in the Prayers of the People and in the singing of Hymns that our communal work of liturgy is expressed most beautifully. As such, St. John’s Liturgy Commission has focused on these two aspects of Sunday worship in our liturgical preparations for the Holy Season of Advent.

In September we gathered to study the four Gospels appointed for the four Sundays of Advent. After reading and listening to the Holy Scriptures, we discussed and collected the theological themes, ideas, words, and symbols which captured our imaginations or spoke most vividly to our hearts. We then split into two “teams” – the Prayer Team and the Hymn Team – to begin working on our respective liturgical tasks.

On page 383 of The Book of Common Prayer, we are invited to make adaptations and insertions to the six traditional forms of the Prayers of the People. The Prayer team wrestled with all that we had gleaned from the Advent Gospels, and we discerned a common theme of Transformation undergirding all four pericopes. We also agreed that the Song of Mary or the Magnificat on the fourth Sunday of Advent is a remarkable culmination of our four-week pilgrimage of preparation for the Incarnation of God’s love in the Christ Child. The Prayer Team formulated the following bidding and response for the Prayers of the People this Advent:

Intercessor:        God of Transformation,
People:                 Prepare our souls to magnify you.  

We then assigned each person on our Prayer Team to compose one of the six traditional intercessions as follows:

  1. The universal church, her members, and her mission – Bill Sherfey
  2. The nation and all in authority – Bob Linehan
  3. The welfare of world/the earth – Cynthia Bronson Sweigert
  4. The concerns of the local community – Terry Dinovo
  5. Those who suffer and those in trouble – Craig Lemming
  6. The departed – Nancy Wellington

As Richard Gray, our Director of Music and co-convener of the Liturgy Commission said in our meeting, “Hymns don’t select themselves! We all need to be involved in selecting hymns that we love.” After pondering all of the ideas collected in our study of the Advent Gospels, the Hymn Team were invited to not only look for Hymns in the Advent section of the hymnal, but to “think outside the box” and to look for Hymns that captured the theological themes, ideas, words, and symbols in the Scriptures we studied. We are delighted that Margaret Thor, Keith Davis, Helen Boyer, Kathy Brown, Susan Moss, and Richard Gray as the Hymn Team have selected the Gospel Sequence and Communion hymns for Advent.

For the Season of Christmas, we will return to the traditional Forms of the Prayers of the People in the Prayer Book and Richard will select the Hymns. The Liturgy Commission has already studied the Gospels for the Season after The Epiphany and are now in the process of writing the Prayers of the People and selecting the entrance processional and retiring processional Hymns – except, the Prayer Team for Advent is now the Hymn Team for Season after The Epiphany, and vice-versa.

We are grateful for the hard work the Liturgy Commission is doing to create beautiful worship services at St. John’s. We trust that the Prayers of the People we have composed and the Hymns we have selected for Advent will edify our communal work of liturgical worship; preparing our souls to magnify God’s radical love made flesh in Christ Jesus.


Originally published in the November-December 2018 Evangelist.

By the Rev. Barbara Mraz (originally published in the November-December 2016 Evangelist)


When Linda and Vincent Lemming were told that their son had talent, he was nine years old, and it was in regard to his musical gifts. However, most of us at St. John’s know that this is only one facet of this extraordinary man’s abilities.

Born in 1982 in Harare, Zimbabwe (until 1980 the segregated British colony of Rhodesia), Craig was educated in Dominican and Jesuit boys’ schools. He had been encouraged to sing from age six by Sister Margaret, one of his teachers. And sing he did. In chapel, in concerts, in classes. He admits to being “a fabulous Virgin Mary” in a school pageant. “Music was my lifesaver in high school,” he says. “It was my way to get through those difficult adolescent years.”


Graduating from high school at age 18, Craig worked for a year for a cinema with officials from the Zimbabwe Department of Censorship where he watched films coming from various countries. Craig was told what scenes had to be censored for the film to be shown locally– swear words, sexuality, inappropriate political messages. “There were very restrictive standards, but it was there that I fell in love with film. If you have seen Cinema Paradiso, that was my world!” A favorite memory was Mother’s Day when he was able to get an entire theater reserved for his mother to watch the new movie version of her favorite book, Angela’s Ashes.


In the last two years of high school, when school wasn’t in session, Craig toured with the Zimbabwean choir called Tabatana, twelve young men who toured England, Scotland, and the United States. In New York City, Craig auditioned for a noted choir master and eventually was awarded a scholarship to the New England Conservatory of Music in Boston. He was one of only five nonwhites in a class of 200.

“Coming here was a huge cultural shock. I was nineteen years old, an immigrant, and I had to come to terms with who I was. My father was Roman Catholic, my mother Anglican. I was trying to understand being bi-racial, bi-sexual, bi-denominational, and being from a working class background in southern Africa, with parents who weren’t keen on my being in another country or on my pursuing a career in music. And all of this was happening in the very prestigious, elite and competitive environment of a conservatory in Boston! I had to work three times as hard to learn what I needed to learn and how to sing in German, Italian, French, and English plus learning the craft of singing in the classical tradition. The exams were juried in the different languages. If you failed at all, you were out. So this, plus three jobs, made for constant work.”

Craig also got a church job during this time singing at King’s Chapel, a Unitarian Church which uses the 1662 Book of Common Prayer! He adds, “Here also I encountered my first ordained woman celebrating the Eucharist as well as my first openly gay man who was an ordained minister. It was life-changing.”

Perlman, MacDonald, Marsalis and Ailey

Craig then worked for the Celebrity Series of Boston as an educational associate: “I had the privilege of bringing magnificent artists into the inter-city schools, people such as Audra MacDonald, Itztak Perlman, Wynton Marsalis, and the Alvin Ailey American Dance Theater. I would make the arrangements, pick them up at the airport and drive them. These schools had high concentrations of students of color and when these artists would begin to perform you would watch entire lives being transformed.”

Indiana: Master of Music

Craig went on to graduate school at Indiana University’s Jacobs School of Music in Bloomington: “Here I was radically welcomed into a wonderful group of faculty, clergy and students who met weekly for a Eucharist and dinner. The conversations were magnificent and one of my mentors showed me how I could rethink who I might be as a priest. She was LGBT- affirming and pushed back the boundaries for me. Also, this was home because it was Protestant AND Catholic. Here amidst the cornfields these Episcopalian people celebrated who I was.”

Craig then came to St. Paul where he served for five years as tenor, concert production, and tour manager for the early music group, The Rose Ensemble.


With the help of Phillip Baird, Jered, and Keely Morgan, Craig discerned a call to the priesthood—something he heard for the first time at age fourteen. He says this about his calling: “What draws me most to the Priesthood is standing on sacred ground as a witness, a companion on the journey, an usher, when another creature of God is crossing a threshold. All of the sacraments are holy thresholds. It’s an immense privilege to be with people in those moments of joy and grief, in the fullest parts of their humanity. To help them not only make memories, but to make meaning of their existence. And it is Scripture which brings to life the brokenness of humanity and also the magnificence of what it means to be a creature of God.”

He will finish at United Seminary this year as well as serving as the program director of Circle of the Beloved; Episcopal Service Corps, which he established in the Twin Cities.

He adds, “It was my discovery of the life and work of Archbishop Desmond Tutu, The Right Rev. Barbara Harris, and the consecration of The Most Rev. Michael Curry that really convinced me I could do this. I don’t think I had really thought it possible before then.”

Clearly, scores of others did.



“For seven years Craig Lemming has been my Zimbabwean adopted son and I, a stand-in father, for his wonderful parents.

“Craig will not be a ‘professional’ priest; rather, he will be a priest of the highest understanding of that order, in the tradition of worker priests of the Oxford Movement. He will exemplify the best liturgical traditions of the Anglican Church and I who will witness this will be forever grateful and proud.”

—Phillip Baird


“Craig leads this new ministry with faith, grace, integrity, and the steady hand of wisdom. His own life manifests the theme ‘kinship across lines of difference’.”

—The Rev. Susan Moss